So that’s my job in a sense: search other worlds for alien life.
So when I’m on a long plane flight, like coming over here, and the guy sitting next to me says: “So what do you do?”. Chatty fellow. I say: “Well I search other worlds for alien life.”. And then, he leaves me alone for the rest of the flight, I can get some sleep. It’s a great job description, I like it.
In this seminar, Dr. Greg Gbur presents the current state of research on cloaking devices, the differences between science fiction and what seem to actually be possible, and different applications beyond invisibility, like protection from thermal radiation or earthquakes.
Ascent is a commented montage of carefully selected videos of the launch of space shuttle, made by the Glenn Research Center. A DVD and a Blu-ray were produced but are apparently yet to be distributed reliably, so meanwhile the DVD ISO can be downloaded on this unofficial website.
The document is 45mn long, and presents outstanding footage taken during launch of missions STS-114, STS-117, and STS-124, from some of the 125 cameras used to ensure vehicle safety. Views include close ups of the ignition and of the launchpad at 400 fps, mid range footage, and up to footage taken from over 30km away (with the equivalent of a 4000mm lens). The comments give abundant detail about what is happening on the picture as well as the camera involved (lens, film, speed…).
As mentioned this video is 45mn long, but I’ve found it so captivating that I hardly noticed the length. If you only have 8mn available though, this other montage shows the launch from the cameras attached to the solid rocket boosters (SRB) with the recorded sound, from ignition, up until separation, then down to landing in the sea.
In this talk from @Scale 2014, Adam Ernst and Ari Grant present some of the problems met during the development of the native Facebook mobile application, and the solutions developed.
The first part, starting at around 7’00, explains why the built-in data management library was ill-suited and how they designed a different system to better suit their needs. The second part, starting at around 24’30, shows how their implementation of MVC was becoming unmanageable and how they redesigned it. Interestingly enough, in both cases the solution was based on immutability.
This here, is not just a joke, a funny contrast or Linus getting schooled; this is a lesson for anyone and an example to follow, this is what you want and the standard you should promote and expect from yourself and others in any development team you belong to. Especially so if you are a lead.
I discovered last year these tutorials by Jasper Flick on how to make and use noise in Unity, and a couple of terrain and particle use examples. They present the difference between value noise and gradient noise, how Perlin noise and simplex noise work, and among others how to use curl noise to control the flow of particles.
The order information is presented is well thought, although the intention might not be clear at first. Don’t let the beginner’s tutorial tone (“You’ll learn to: create and fill a texture;”, etc.) turn you away, as the series do a great job at detailing the concepts and algorithms in a simple manner yet without cutting corners like so many articles on the topic do (when they’re not blatantly wrong and go ahead calling a blurred noise “Perlin noise”). I thought I had a pretty good grasp of gradient noise already, but reading it gave me an even better understanding.
While at it, other resources on the topic include Ken Perlin’s GDC 1999 talk and his two pages paper Improving noise explaining why use a 5th order polynomial for interpolation (a function I’ve sometimes seen called “smootherStep”).
Christophe Riccio posted on his twitter feed some pictures comparing the quality of different texture compression formats, including the PowerVR’s native compression format, PVRTC2. In the light of his tests, it seems to me the new compression is a lot better than before (unfortunately they are not compared).
Last year at my work, in a context of trying to reduce loading time, memory consumption and application size, we gave a try at PVRTC and in our use case it was a clear no go. The quality was so badly impacted that the texture size we’d need for the artists to be happy was well beyond the weight of a PNG of equivalent quality. In the end we settled with WebP.
Here it is interesting to see that even at 2bpp, PVRTC2 seems to retain a lot of detail and texture. The edge tend to be muddy but this is still very good for the price.