{"id":920,"date":"2014-12-17T13:19:08","date_gmt":"2014-12-17T13:19:08","guid":{"rendered":"http:\/\/lousodrome.net\/blog\/light\/?p=920"},"modified":"2014-12-17T13:19:08","modified_gmt":"2014-12-17T13:19:08","slug":"every-frame-a-painting","status":"publish","type":"post","link":"https:\/\/lousodrome.net\/blog\/light\/2014\/12\/17\/every-frame-a-painting\/","title":{"rendered":"Every Frame a Painting"},"content":{"rendered":"<p>The filmmaker <a href=\"http:\/\/twitter.com\/tonyszhou\/\">Tony Zhou<\/a> is the author of an ongoing series of fascinating essays on analyzing film form: <em>Every Frame a Painting<\/em>. Covered in 5 to 10mn with a critical and passionate eye, his topics vary between directors, actors or single film scenes.<\/p>\n<p>Every single one of them is worth watching, but my personal favorites are the study of<a href=\"http:\/\/vimeo.com\/108963321\"> the scene when\u00a0Clarice Starling and Hannibal Lecter meet<\/a> for the first time in <em><a href=\"http:\/\/www.imdb.com\/title\/tt0102926\/\">The Silence of the Lambs<\/a><\/em>, the analysis of <a href=\"http:\/\/vimeo.com\/99798626\">Mickael Bay&#8217;s intense visual style<\/a>, and the presentation (and praise) of <a href=\"http:\/\/vimeo.com\/96558506\">Edgar Wright&#8217;s use of visuals to support comedy<\/a>.<\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/5V-k-p4wzxg\" width=\"500\" height=\"281\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Those essays can be found on <a href=\"http:\/\/www.youtube.com\/user\/everyframeapainting\">Youtube<\/a> or <a href=\"http:\/\/vimeo.com\/channels\/everyframeapainting\">Vimeo<\/a>, with additional comments on <a href=\"http:\/\/everyframeapainting.tumblr.com\/\">tumblr<\/a> and <a href=\"https:\/\/www.facebook.com\/everyframeapainting\">Facebook<\/a>. Interestingly, they can also be supported (as in, financially) on <a href=\"http:\/\/www.patreon.com\/everyframeapainting\">Patreon<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The filmmaker Tony Zhou is the author of an ongoing series of fascinating essays on analyzing film form: Every Frame a Painting. Covered in 5 to 10mn with a critical and passionate eye, his topics vary between directors, actors or &hellip; <a href=\"https:\/\/lousodrome.net\/blog\/light\/2014\/12\/17\/every-frame-a-painting\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[100],"tags":[541,623,625,161,628,629,626,89,630,226,627,353,46,624],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.13 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Every Frame a Painting &ndash; Light is beautiful<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/lousodrome.net\/blog\/light\/2014\/12\/17\/every-frame-a-painting\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Every Frame a Painting &ndash; Light is beautiful\" \/>\n<meta property=\"og:description\" content=\"The filmmaker Tony Zhou is the author of an ongoing series of fascinating essays on analyzing film form: Every Frame a Painting. Covered in 5 to 10mn with a critical and passionate eye, his topics vary between directors, actors or &hellip; Continue reading &rarr;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/lousodrome.net\/blog\/light\/2014\/12\/17\/every-frame-a-painting\/\" \/>\n<meta property=\"og:site_name\" content=\"Light is beautiful\" \/>\n<meta property=\"article:published_time\" content=\"2014-12-17T13:19:08+00:00\" \/>\n<meta name=\"author\" content=\"Julien Guertault\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@Zavie\" \/>\n<meta name=\"twitter:site\" content=\"@Zavie\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Julien Guertault\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/lousodrome.net\/blog\/light\/2014\/12\/17\/every-frame-a-painting\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/lousodrome.net\/blog\/light\/2014\/12\/17\/every-frame-a-painting\/\"},\"author\":{\"name\":\"Julien Guertault\",\"@id\":\"http:\/\/lousodrome.net\/blog\/light\/#\/schema\/person\/a16a2a69d73eca763ffdf125c49eaa2f\"},\"headline\":\"Every Frame a Painting\",\"datePublished\":\"2014-12-17T13:19:08+00:00\",\"dateModified\":\"2014-12-17T13:19:08+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/lousodrome.net\/blog\/light\/2014\/12\/17\/every-frame-a-painting\/\"},\"wordCount\":130,\"commentCount\":0,\"publisher\":{\"@id\":\"http:\/\/lousodrome.net\/blog\/light\/#\/schema\/person\/a16a2a69d73eca763ffdf125c49eaa2f\"},\"keywords\":[\"camera\",\"cinematography\",\"comedy\",\"composition\",\"Edgar Wright\",\"essay\",\"Every Frame a Painting\",\"film\",\"film form\",\"film making\",\"Mickael Bay\",\"storytelling\",\"video\",\"visual style\"],\"articleSection\":[\"Film\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/lousodrome.net\/blog\/light\/2014\/12\/17\/every-frame-a-painting\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/lousodrome.net\/blog\/light\/2014\/12\/17\/every-frame-a-painting\/\",\"url\":\"https:\/\/lousodrome.net\/blog\/light\/2014\/12\/17\/every-frame-a-painting\/\",\"name\":\"Every Frame a Painting &ndash; 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